As the internet gradually catches up with obscure facts and more people take time to add their random knowledge to the global database of information, previously futile searches sometimes become fruitful. Thus progresses my search for lost films missing since either my childhood or (more usually, given the presence of a Blockbuster on the corner round from our house) my university rental days.

A good few years ago, I wasted a good chunk of my life searching for a film I knew I’d seen, but which no one believed existed. The film ends up with some American flyboys convincing some upstanding English airmen to build aeroplanes out of tractors and stick it to the Nazis with them. Google variously returned Memphis Belle (NOPE) or Biggles (STILL NOPE), and I’d give up for a few months before coming back to it.

Then, back in 2008, I found it. In the UK, it was called Sky Bandits, although elsewhere it went by the name Gunbus.

Scratch that off the list.

There was another film on my list of “films I have seen no one else seems to have.” This one starred Michael York and it was set in the Sahara, and involved an English explorer/diplomat type discovering a lost tribe, eventually being made blind, and the tears of the priestess restored his sight in time for him to find out there was an alien spaceship in their cave system. I was pretty sure it was late 80s and also starred Simon MacCorkindale.

It was that last point that threw me.

Today, I discovered the internet has caught up with my search for this particular film. It was The Secret of the Sahara, and while Simon MacCorkindale wasn’t in it (and doesn’t deserve the bad rap for Manimal, incidentally, which was a child of its time and appreciated by those of us who were of an age to do so), Ben Kingsley and David Soul were.

I’ve tracked down a copy of it on DVD and it shall be winging its way to me presently. No doubt it will not be as good as I remember, but anything that has stuck with me for that long has got to be worth a punt.

Next up, to see if can I track down a couple of Robert Powell films that I think were called Harlequin and The Survivor, the first of which was a retelling of the relationship between Rasputin and Tsarina Alexandra, and the latter of which was an adaptation of — maybe? — a James Herbert novel…

I have a Ford Mondeo Estate. He’s called Claude, in line with the Frood Standard Naming Convention^*. I do love my car. He’s big and red and swallows two bicycles without thinking about it. When I race, I can lay Thokk or Peregrine nicely in the back and don’t have to worry about them being damaged.

The one problem is the stereo.

Back in the day, this thing had a 6 CD multichanger, but it ate my CDs. It just swallowed them, much like Claude swallows bikes. I ended up with 8 CDs in there, all trapped, while the CD player insisted it was empty.

Feed me, it said, whenever I pressed the eject button. I’M HUNGRY.

Needless to say, it wouldn’t play.

So we had to use the radio. Which was fine, until the radio started cutting out. Initially we thought it had got damp in the car wash, but no. It was merely possessed. After a while, whatever demon was infesting it and eating the tunes gave up and went away, presumably sated, and I have spent the last couple of years listening contentedly to Classic FM while driving around in my big red Claude (not a euphemism).

When Frood achieved New Job recently, we had to acquire another car, as he needs one for work. We now have a small, greenish-grey Ford Fiesta, called Bill for short (we’re still working on pronunciation of his full name). Claude took against Bill – not in any specific, spiteful way. He’s a big boy, he’s above that sort of thing. He knows Bill can’t take two bikes and all our plush camping gear. He knows he’s more comfortable for long journeys and is one of my most important pieces of triathlon gear. He knows he’s loved.

Nevertheless, he has decided to host a radio demon again, and my FM radio is now cutting out after a couple of minutes. I don’t know if he felt sorry for the one living in Bill’s radio when we first got him (as Bill’s radio was doing the same thing but works fine, now), or what, but Classic FM is lost.

I’ve been listening to Absolute Radio on Medium Wave, instead. They have a no-repeat guarantee, and that means they play a lot of old favourites, including songs I haven’t heard in years.

I listen to music when writing, and need to match the shape of the music to what I’m writing. Thus, I necessarily have a wide range of music in my collection. I acquire music usually by hearing something I really like, or which matches a specific shape in a work in progress, or gives me an idea for a brand new story. My most recent purchases have included Verdi’s Macbeth (they used Patria Oppressa as the music in the Hannibal episode Sorbet and I fell in love), Sky (a prog group with John Williams, ermagerd – one day someone will buy me a copy of the now highly-collectible Cadmium and I’ll have a wibbly-wobbly flashback to being 11 years old and reading Ursula Le Guin in bed), and Aion (I love The Serpent’s Egg).

Then along came Absolute Radio, and I’ve had too many moments of “Oh gods, I love this!” over the past couple of weeks. I’ve had to add two R.E.M. albums (WHY did we not have any already?) and today I gave in to the impulse to grab some Kula Shaker.

I need to stop. I know this stuff is cheap, mostly – certainly cheaper than a night out, which we don’t do – but, seriously, I have books and bike parts looking at me reproachfully from my “to get” list, and I’m at serious risk of falling out with Fingal permanently.

I should persuade that radio demon to depart from Claude so I can have Classic FM back. Or switch to the Gaelic language radio station, which is largely unintelligble.

*Names must use the final three letters of the number plate in order, although they may occur any place in the word. Claude’s number plate ends AUE. I’ve also had cars named Rasputin and Voltaire.

I’m going to a wedding this weekend and I’m super-excited because the person getting married is one of my oldest and dearest friends. Who happens to live in Toulouse. It occurred to me, as things do on occasion, that if I can go to the effort of buying and wearing a dress for Her Majesty the Queen, I can definitely go to the effort of a dress for someone far more important to me.

Thing is, I’m not much of a dressy woman. I work in a job that is either office smart or manky grubby, and when I’m not at work I’m either in sports kit comprising varying degrees of lycra, or slobbing around the house in jeans. Add to this the fact I hate shopping with a passion, and it should be clear that shopping for a dress is something I would only do for a very special occasion. (Next time I might ask people to sponsor me on behalf of the RNLI).

My body, as far as I’m concerned, is primarily for making bikes go faster, getting me around, lifting things, moving through water with speed and efficiency, walking up mountains, taking me to places where I can spoffle sea creatures, and providing the conduit between the contents of my brain and the outside world. What it’s not is a clothes hanger, or an object that exists for other people to admire (or not, as the case may be). Don’t get me wrong — I’m not saying I don’t care what I look like. I do, in as much as I don’t want to look awful. It’s more that I don’t think about it much. I don’t exactly have body confidence so much as when it’s doing what I expect it to do — ride bikes, run, swim, compete in triathlon, walk around, open jam jars, carry bags etc etc etc — then functionality outweighs any physical appearance. When I don my tri suit I may have a moment of relief that I still fit into it after 3 years of being injured out of training, but I don’t worry about what my arse looks like. Not at the time, anyway. I save that for the photos afterwards.

A number of years ago I was very ill, and for a while there was a strong chance I was going to end up in a wheelchair. That was something of a priority check. As long as my body is working, and not threatening to break down again, we’re on pretty good terms. I exercise it, feed it nice food, make sure it gets plenty of fresh air and generally take care of it as best I can.

It has never expressed an interest in fashion.

Shopping is hard. I don’t have a personal style. I don’t know what works for my body shape or type. It’s not on my agenda, most of the time. On the very rare occasion I buy clothes that are not for work or sport, I find something at a price that doesn’t make me faint, in a colour that doesn’t taste horrible, check that it fits and doesn’t look disastrous, and that’s about as much as I can bring myself to care.

Today I needed to buy a dress. I had an hour or so after work, which is my limit for time spent on shopping. I was distracted by the lady in the perfume shop (perfume being the one conventionally feminine thing about which I have strong opinions), where I had gone for a travel pump for my current favoured scent. We chatted. It was fun.

I went to a clothes shop. Everything was in triple figures. I went to another shop, which carried clothes for ladies with curves. Some nice things, but they were expensive and all the colours tasted horrid. I went to another and another, by which point my patience was thin. The fifth shop (fifth!) was quite large, open plan, and had no indication of what all the different sections were. I was a bit lost, and wandered around for a few minutes, hoping for that synaesthetic hit telling me there was at least something in the right colour.

This guy came up to me. He was a little taller than me, thin, and had horrible beard shaved within an inch of its life (I wondered what was the point in having it at all), a posture straight out of the Ministry for Silly Walks, and a staff badge.

“Were you looking for anything in particular?”
“No. I guess I’ll know when I see it.”
“What sort of thing do you want?”
“Long, light, preferably green.”
“A dress?”
“Yes.”

He looked me up and down as if I were a laboratory specimen, or one of those masochistic creatures who subject themselves to the horror of America’s Next Top Model, then gestured vaguely towards the other side of the shop.

“I suggest you try looking over there, dear,” he said, withering. “You’re a bit on the big side for this section.”

I was so shocked I just smiled vaguely and let my feet start meandering in the indicated direction.

I’m not a delicate flower by any stretch of the imagination. I have been described as ‘one solid piece of muscle’. I will never be petite, never be elegant, never be graceful and sinuous. But I can muscle my 70″ fixed up a 12% incline, swim 3km in an hour and open my own damn jam jars. I’m not huge, either. I’m somewhere between a UK size 8 and 12 (US 4-8), depending on brand.

I shouldn’t be bothered by this inconsiderate idiot’s comment. but I was shopping for a dress, to look nice for my friend’s big day, and I felt this man had just told me there was no point in looking at any of the things I liked because I was huge and horrible and far too ungainly to wear beautiful.

This particular shop will never have my custom. Ever. Maybe I was in the petite section. Maybe that was the section for teenagers. I don’t know. I don’t especially care. He could have directed me to a more appropriate part of the shop in a friendly, nice, helpful way. He said it in a way that implied I had no business being there.

And in doing so lost my business permanently.

I spent my money somewhere else, where the shop assistants were helpful, pleasant, and didn’t judge me as if I were a piece of meat and they were looking for something to feed to a fat-shy fashionista.

Big doesn’t mean unhealthy. Thin doesn’t mean fit. Size is so far down on the list of reasons to judge a person I can’t see it with a telescope. I’d rather be fit, healthy, strong and mobile than I would a fashionable size 6 any day.

This was my first ever experience of being judged too big for anything. Should it ever happen again…

Well. It had better not.

I love living in Scotland. I missed it terribly while I was down south and experienced a profound sense of relief when I came back. I spent the best part of twenty years in England, and the only way I can think to describe the difference is to imagine what it feels like to be on a crowded train, where you can’t move without bumping into someone. Then imagine what it’s like to be walking on a hillside with only a few other people around and none of them especially close. The difference is one of expansion, but then that might be the synaesthesia talking.

Then again, in Scotland we have places like this:

And this:

So it’s an odd thing for me to experience, as I do today, the sudden urge to pack up and go to another country. I have an itch to revisit Bavaria, or the Austrian Tyrol; to spend some time in Scandinavia or acquaint myself with the Basque country; to explore the hinterlands of Russia or hike the Caucasus. The other tell-tale and oh-so-familiar sign of restlessness is the ready distraction of my collection of recipe books, as RB2 declares dissatisfaction with everything on our current menu list and demands NEW FOOD.

I have no idea what has brought this on. It’s as sudden and unpredictable as a summer squall and, while familiar, not something that has happened in two or three years. In a couple of weeks, I’m visiting Toulouse for the wedding of a dear friend whom I haven’t seen in too long to mention, and perhaps that will satisfy the itchy feet.

Tomorrow there is Knockburn Loch sprint triathlon, and today I’m chained to my desk with deadlines glowering at me over the temporal near horizon. If that doesn’t serve to distract me, it may be time to start planning a roadtrip.

We’ve had a quiet Christmas at home, the first one we’ve ever not spent with other people. We’ve avoided the traditional festive excess, although I did buy a tree, which is currently festooned with various plush animals, scented pine cones, tinsel and blue lights that resemble tiny aliens or deep sea bioluminescence more than they do fairies. As we’ve both been suffering from the plague that suddenly descended upon Aberdeen, it was quite nice to have the time to recover.

I’m already looking forward to next year’s triathlon season, and contemplating camping destinations for the summer. My new, water-resistant Vibrams should arrive in time for New Year so maybe we’ll be able to resurrect our Hogmanay Chain Walk tradition — winter adventuring has been out of the question for the last couple of years because of my dodgy foot, as the existing Vibram Fivefinger models are neither waterproof nor especially warm. Not ideal for Scottish weather in the cold months.

I have been restricted to short walks in big boots, but there are still beautiful things to be seen even then. One of the joys of this time of year is the low sun in crisp, clear skies.

I have a particular love for the interactions of sun, sea, sand and sky, and in winter they can be especially glorious. My skill with the camera not being sufficient to do them justice doesn’t stop me trying.

As has become something of a tradition over the past couple of years, we’re spending Christmas away from (temporary) home in the company of family. As is also something of a tradition, we’re spending the holiday season in the back of beyond where there is almost no phone reception, so if you have sent me any text messages wishing me good cheer and I haven’t replied it’s not because I don’t love you any more: I haven’t received it. We do, however, have wifi and this year I brought a laptop so I can continue writing.

The lodge where we’re staying is amazing. Seriously amazing. I could live in a house like this quite happily. The only thing that could make it better is if it were a lighthouse, but I’m being picky. The weather so far has been fairly grim and dreich, so the light has been far too poor for taking photographs. Still, I snapped this shot of the view from the upper balcony in an effort to show the spectacular view of the torrents roaring constantly in the background. We sleep with the window open.

Yesterday Frood and I went out with the parents on a short but windy, wet and enjoyable bike ride to explore a little. Needing something that would fit on the rack, and with most of the noble steeds in storage, I was obliged to bring Shackleton, sporting his brand new wheels (more on that particular saga later). The thing is, I’ve put the Hutchinson Gold Cross tyres on him in preparation for the snows, and I left the 16 tooth sprocket on, so he’s currently rolling around with gear inches in excess of 70. This would be fine for the hill-free streets of Aberdeen, but out here in the wilds the roads come in lumpy. I think we did all of 6 miles yesterday and my legs are no longer speaking to me. I am seriously out of practise on fixed!

Finally, here is medium-sized Stitch (still on his Scotland tour) wearing the Stitch slippers Nick and Candice got me for my Christmas:

It’s my birthday. Birthdays are cool and special and I’ve never grown out of feeling that there is something particularly important about birthdays. I know other people feel differently about birthdays. Some seem to treat them as something to ignore: an inevitable indicator of time passing and thus mortality; another year, another set of wrinkles. To some they are an excuse to party.

To me they are something to celebrate in a congratulatory fashion. Hey! Well done you! You survived another year and you know what? You’re doing okay, actually.

We moved recently —are still sort of halfway, if truth be told— and while packing I found a photograph of myself taken many several an unspecified number of birthdays ago. It was one of four identical pictures taken in a photobooth, back when I was still cutting my hair very short and shortly after I acquired my very first black artificial eye (a huge moment in the personal history of me). I think this was the year I went to Ashton Court Festival and became inordinately attached to a helium balloon in the shape of a dolphin, which I called Jones.

My friend Charlotte commented:

Cor, that looks like a portrait from the assasins’ academy graduation yearbook.

I think she has a point.

Women with hair that short attract the wrong sort of attention and attitudes. The immediate assumption, if only of those who feel it is appropriate to voice such opinions to strangers, is that one is either a “dyke” or a cancer victim. Unless the woman in question is playing a particular part in a movie, or is a model doing a show that is avante garde, or “edgy”, then hair that short is generally considered unattractive, and I’m pretty sure that presumptions about gender roles play a large part in that. Long hair on a woman is usually better regarded than short hair. Women often invest a lot in having long hair — look at the tearful reactions of the would-be supermodels on reality shows such as America’s Next Top Model during the makeover section, when their precious locks are lopped off in the name of fashion.

It’s only hair. It does grow back.

I loved having short hair. I loved the practicality and fuzziness of it — it was incredibly soft. I liked how it emphasised my bone structure and showed off my ears. I thought it looked good.

Six years ago I reluctantly stopped shearing mine with the clippers once a month, as I was planning on re-entering the job market and I knew it would create a poor first impression. I resent the expense of a hairdresser — when I had it cut for the wedding in March it cost me £60! — and so I have grown it out to the point where it no longer needs that attention.

Although I won’t, because in the real world sometimes being professional requires that one refrains from being unconventional, looking at this photograph made me want to cut it all off again.

It was fluffy. We like fluffy!

We’re packing up the flat today — to be fair, Frood is doing most of the work. Partly this is because there’s not much space to work with all the boxes and things stacked up all over the place, partly it’s because he has ninja packing skills and I’m rubbish; and partly it’s because I’m completely cream-crackered at the moment and feel like a limp dishrag that can’t so much pack as flap feebly at items in an attempt to shoo them into their boxes. I thought I’d come and blog a bit while he’s dismantling my desk. I am sure I’d only get in the way. Every time I offer to help he says no.

I was a big fan of speculative fiction even when I was younger. I read Octavia Butler’s Wild Seed when I was 10, although I didn’t really grasp all of the themes until I was much older. When I was at school I discovered Moorcock, and although I found the Elric and Hawkmoon books more entertaining (at the time), the series that stuck with me was that of Jerry Cornelius.

There is a scene in The Final Programme where Cornelius is attempting to infiltrate his brother Frank’s secret base somewhere on the coast of France, to rescue his sister. Some of the base defences are psychedelic in nature, blasting out hallucinogenic experiences that come straight from a bad acid trip.

When I saw this foghorn on the Torry peninsula Moorcock’s anarchic, polysexual superspy was the first thing that popped into my mind. I can all too easily imagine it blasting out rays that boil the brains of anyone foolhardy enough to approach too close, leaving them as dribbling wrecks whimpering about Cthonic colours and hyperdimensional clowns with spleens where their faces should be.

OK. I’ll admit it. I’m not a big fan of Neil Gaiman. This marks me out as a pariah in the world of SF&F, apparently, because Mr Gaiman can do no wrong.

Please don’t misunderstand me: it’s not that I think his work is rubbish. I quite enjoyed the early Sandman graphic novels. It’s just that, well, I think he is over-hyped. He doesn’t do it for me in the way Pratchett does, for instance. He doesn’t do it for me in the way Grant Morrison does. He doesn’t do it for me the way Warren Ellis does. Or Alan Moore (when he’s on form). That’s just my opinion and I’m sure he’d be the first to say I’m entitled to it. He’s the one making all the money, and I can’t imagine him giving a monkey’s uncle what I think one way or the other.

And yet, despite this, The Doctor’s Wife was the only episode of the current series I really enjoyed. I loved the emphasis on and exploration of the relationship between the Doctor and the big blue box that means so much to him. I liked the banter, which had been sorely missing since… pretty much since the Lodger back in Series 5 (River’s “What time do you call this?” was good, but not enough).

But… Oh, there’s always a but.

You know what? The sign on the door that says pull to open? That refers to the cupboard where the phone is kept, not the door to the police box. Look at the door design and the location of the hinges. The door can’t open outwards. Maybe TARDIS doors are supposed to open outwards, like fire doors are, but police box doors don’t because they can’t.

Can I say “Did not do the research” about Neil Gaiman? Seems a bit churlish given that he wrote the only episode of the current series I thought was any good.

Here’s a picture of Fingal next to an original police box:

We have a lot of police boxes in Edinburgh. They make me sad, because so many of them are in such a terrible state. This is what the Doctor’s TARDIS would have ended up looking like, I think, if House had had his way and no one had mentioned her being the last one.

There is a long and sorry tale practically worthy of a Norse saga associated with me and my mobile phone. Maybe one day I shall write the whole thing Edda-style: the challenge being that I am so fed up with it that it would be hard to make a reader not be fed up with it too.

For various reasons to do with the way Frood and I acquired our very first mobile phones, back in the dim and distant past, it hasn’t been easy to upgrade when time came due. My first relatively contemporary phone was a Sony Ericsson K850i, but I drowned it on a camping trip. Well. I say ‘drowned’. It got slightly moist in a manner my old Nokia would have shrugged off. Mind you, my old Nokia shrugged off being dropped in ponds, beer, puddles, the sea and even a toilet. There’s something to be said for old tech.

I digress.

Since the damp demise of my previous mobile I’ve been using Frood’s old Samsung something-or-the-other, which weighs as much as half a housebrick and is sturdy enough to be used as a offensive weapon, assuming that you keep the slide shut. It has the most irritating interface of any phone I’ve ever used, and has reduced me to swearing on more than one occasion with its insistence on using a set of nested options positively bureaucratic in its complication in order to achieve the simplest of things (such as choosing a recipient for a text message). I’ve never experienced so many delayed voice message notifications or lost text messages as I have with this phone. And, to rub dirt into the road rash of annoyance, Frood has been sitting on the sofa twittering and facebooking on his WiFi networked HTC Android phone for about a year now. The git.

Last weekend we went to the shop and upgraded my phone. I am now the proud owner of a brand-new, shiny, HTC Desire S, and it has not only brought out the geek in me but given me cause to think.

First there’s the playlist problem. The HTC Desire S doesn’t recognise WMP, which means that transferring a playlist (.wpl) gets all the songs onto the phone, but not in the desired order. Thinking it might be another MMT setting I did some research, musing on how I was already coming at the problem from a whole new platform built on my experience with the Samsung. A problem that Frood has been dealing with for a while was solved in five minutes of google-fu. We’ve ended up installing MediaMonkey and now Frood is engaged in the task of converting our old PC into a proper music box, mostly by re-ripping all of our music so that it’s stored in a consistent format.

Then there’s the camera. It’s only 5MP. I had my eyes set on one of the new Sony Ericssons, with their 8.2MP cameras, but there weren’t any in stock and I do carry my Canon Ti 10MP around with me everywhere anyway. But then I discovered the retro camera app and I’ve been having some fun with that.

Here’s a picture of me wearing my new Buff hat. I took this using the standard camera. There’s a small front-facing camera on the phone so you can see what you’re doing in self-portraits, although you have to stay very still and the quality isn’t the best. The hat is reversible and adjustable and has a neoprene peak and groovy cave-painting style figures all over it, including one of someone on a bike. It is the best cycling hat I have ever had, and I own two Campag hats.

Speaking of which…

Here is a shot I took using one of the retro camera functions. It shows a box of Peroni (Italian beer) next to the new bottom bracket that finally arrived. It’s a Campag Centaur to go with my Centaur triple chainset. Two lovely Italian things. Beer and a bottom bracket.

I am the sort of woman who gets excited by shiny new tech toys, but only when they have improved functionality and make my life easier, more fun or more interesting. I’m also the sort of woman who can overhaul the transmission on her handbuilt British-made touring bike (with the 6mm offset rear triangle for an undished rear wheel, boo-yah baby) and appreciates not just the functionality of the bicycle but the inherent beauty in high-quality components.

What else? Here’s another picture:

This, for me, encapsulates what I find most geeky about myself. I’m wearing my new Minister of Chance t-shirt (GO! BUY! WE NEED MOAR!) — and I experienced a little warm glow of pleasure when I received an email from the crew thanking me for my support. There’s a bike in the background. In my life there is always a bike in the background. There’s a stack of Fortean Times magazines, because I use them as research and also harbour an ambition to write something one day they might publish. I took this using a retro camera on a shiny new smartphone with which I’m deeply in love: a camera effect I chose because it makes it look like I’m taking postcard shots during a zombie apocalypse. I’m wearing my buff hat, although you can’t see it, and I’m not looking my best. But that last point doesn’t matter. This is me. I have one eye: the missing one I have replaced with moulded black plastic. What is important about me isn’t what I look like. It’s not the fact that I have wrinkles and grey hairs or scarring from a skin disorder. It’s not, to revisit an old complaint, my breasts or my buttocks or whether lycra looks good on me.

I enjoy feeling attractive, and it’s not that I won’t make the effort on occasion. But it’s not what defines me. In a recent discussion online regarding the objectification of women one of the participants observed that it’s human nature to find people attractive: he used wanting to look good for one’s wedding as an example. And I think, for my wedding, I did about as good a job as I could have done with what I’ve got without calling in the services of a professional stylist.

But wanting to be and enjoying being seen as attractive doesn’t make a woman’s looks public property and it doesn’t grant tacit approval for her to be reduced to breasts and bum and maybe a pretty face on top.

My favourite wedding photo is this one:

I think I look pretty damn good in that. But I also think I look like me in a dress (and, for added geekery, a pair of Vibram Five Fingers).

What I am is all of these things, and it’s true of every other woman. We are all more than what we look like in our chosen form of dress. Someone might look at one of my triathlon photos and see nothing but an arse in lycra (and they do, believe me). Yet who I am is someone who can build her own wheels and would be quite capable of handling herself come the Undead Armageddon. I can sort out technical problems with our home network and have a strong view on component choice. I can spot a 5mm hex key at a distance of ten paces. I like computer games. I read and write and enjoy science-fiction. I have lived life and taken its knocks and it shows. I am all these things, and more, as well as someone capable of putting curves in green velvet.

I think it’s tragic that we are still prepared to judge accomplished women by what they look like. I think it’s unfair and annoying that women who are conventionally beautiful will tend to do better than women who aren’t; and that our media constantly chooses conventionally attractive women as every potential role model, thus propagating the idea that being good at what you do is not enough. I get angry when someone uses a woman’s desire to feel attractive in order to please herself as justification for looking at that aspect of her in isolation. And I become utterly livid when I’m told that it’s just boys being boys and only a bit of fun and I’m taking it too seriously.

Equality isn’t about treating everyone the same. It’s about looking at people for what they are in totality: the sum of their talents and abilities; their hopes and fears and passions.

I could never have been a supermodel. I am not a clear-skinned, fresh-faced, perfectly symmetric, youthful beauty. There are days when I am depressed by how I have been culturally indoctrinated into thinking my life could be better if I were. But if you were trying to get your playlists to synch to your mobile device before hitting the road when there was no petrol left and there were zombies in the garden, I’d be your huckleberry.